ARTIST
DETAILS
My
most recent work has been based around the vulnerability and the temporary
nature of things. I often use architectural forms in my work as it represents,
for me, the most poignant example of transience; man’s attempt
to create permanence and legacy through building.
I
am also interested in the way that architecture can act as a metaphor
for our internal selves (the body as a building that houses the mind)
and with the enduring sense of memory and/or personal identity that
is often embedded into or linked with particular sites.
My work, which comprises installations, drawings, artists’ books
and sculptures, often seems to exist in an in-between state where it
can be difficult to ascertain whether works are in a half-built or half-derelict
state. The dependency of the work on the environment in which it is
built and shown is also something that interests me greatly; my work
is often balanced, propped, wedged or held together through tension.
Literature
is also of great influence, and fiction often features heavily in my
work, whether through the creation of fictional places, written text
or the imposition of a new history onto a place.
(Emily
Speed, 2009)